Thursday, 19 March 2020
Enschede, Proef van letteren, 1768
ENSCHEDE (Joh.) [Printers & typefounders] Proef van letteren, Welke gegooten worden in de Nieuwe Haerlemsche Lettergietery van J. Enschede. [Haarlem:] 1768. 8vo. Engr. frontis. & plates. Folding view of the typefoundry at end. Contemporary boards. NFS
Monday, 2 March 2020
Kynoch Press
Specimens of type in use at the Kynoch Press, Witton, Birmingham, 1934. 8vo. 22cm. Pp. 184 (including three loose supplements). Orig. brown cloth, blind-stamped. Unobtrusive rubber stamp to front pastedown and title. Some marginal fading. V.g. Sold.
An attractive specimen highly praised by Ruari McLean in his survey of inter-war printers' type specimens (Signature NS, no. 4, 1948). 'Designed by Harry Carter...[and]...decorated with small wood engravings by Eric Ravilious. The book was cloth-bound and, sunk deep into the cover, was Stevens Shanks' Elephant type, an innovative treatment of a rare face which allowed the letters to be felt as well as seen. giving the type a third dimension, emphasising its physical as well as visual characteristics. It was a wholly typographic cover produced by a printer which liked to regard itself as a typographer's press.' Caroline Archer, The Kynoch Press: anatomy of a printing house 1876-1981, London & New Castle, 2000, p.36.
An attractive specimen highly praised by Ruari McLean in his survey of inter-war printers' type specimens (Signature NS, no. 4, 1948). 'Designed by Harry Carter...[and]...decorated with small wood engravings by Eric Ravilious. The book was cloth-bound and, sunk deep into the cover, was Stevens Shanks' Elephant type, an innovative treatment of a rare face which allowed the letters to be felt as well as seen. giving the type a third dimension, emphasising its physical as well as visual characteristics. It was a wholly typographic cover produced by a printer which liked to regard itself as a typographer's press.' Caroline Archer, The Kynoch Press: anatomy of a printing house 1876-1981, London & New Castle, 2000, p.36.
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