An attractive specimen highly praised by Ruari McLean in his survey of inter-war printers' type specimens (Signature NS, no. 4, 1948). 'Designed by Harry Carter...[and]...decorated with small wood engravings by Eric Ravilious. The book was cloth-bound and, sunk deep into the cover, was Stevens Shanks' Elephant type, an innovative treatment of a rare face which allowed the letters to be felt as well as seen. giving the type a third dimension, emphasising its physical as well as visual characteristics. It was a wholly typographic cover produced by a printer which liked to regard itself as a typographer's press.' Caroline Archer, The Kynoch Press: anatomy of a printing house 1876-1981, London & New Castle, 2000, p.36.
Monday, 2 March 2020
Kynoch Press
Specimens of type in use at the Kynoch Press, Witton, Birmingham, 1934. 8vo. 22cm. Pp. 184 (including three loose supplements). Orig. brown cloth, blind-stamped. Unobtrusive rubber stamp to front pastedown and title. Some marginal fading. V.g. Sold.
An attractive specimen highly praised by Ruari McLean in his survey of inter-war printers' type specimens (Signature NS, no. 4, 1948). 'Designed by Harry Carter...[and]...decorated with small wood engravings by Eric Ravilious. The book was cloth-bound and, sunk deep into the cover, was Stevens Shanks' Elephant type, an innovative treatment of a rare face which allowed the letters to be felt as well as seen. giving the type a third dimension, emphasising its physical as well as visual characteristics. It was a wholly typographic cover produced by a printer which liked to regard itself as a typographer's press.' Caroline Archer, The Kynoch Press: anatomy of a printing house 1876-1981, London & New Castle, 2000, p.36.
An attractive specimen highly praised by Ruari McLean in his survey of inter-war printers' type specimens (Signature NS, no. 4, 1948). 'Designed by Harry Carter...[and]...decorated with small wood engravings by Eric Ravilious. The book was cloth-bound and, sunk deep into the cover, was Stevens Shanks' Elephant type, an innovative treatment of a rare face which allowed the letters to be felt as well as seen. giving the type a third dimension, emphasising its physical as well as visual characteristics. It was a wholly typographic cover produced by a printer which liked to regard itself as a typographer's press.' Caroline Archer, The Kynoch Press: anatomy of a printing house 1876-1981, London & New Castle, 2000, p.36.
Subscribe to:
Post Comments (Atom)
Hello: Does the type specimen Kynoch Press chess diagrams in the border and ornaments section? I would be interested to know because I am studying chess diagrams in different times. Thanks
ReplyDeleteI'm not absolutely sure but I believe it does. SPT
DeleteHello,
Deleteand if finally have Kynoch Press a chess specimen, can you post a photo? Thank you